(2) The possible dependence of the meaning of perfect forms on the tense category (present, past or future) is one of the most difficult problems which the theory of the perfect has had to face. It is quite natural to suppose that there ought to be an invariable meaning of the phrase "have + second participle", no matter what the tense of the verb have happens to be, and this indeed is the assumption we start from. However, it would be dangerous to consider this hypothesis as something ascertained, without undertaking an objective investigation of all the facts which may throw some light on the problem. We may, for instance, suspect that the present perfect, which denotes "precedence to the present", i. e. to the moment of speech, may prove different from the past perfect, denoting precedence to a moment in the past, or the future perfect, denoting precedence to a moment in the future: both the past and the future are, of course, themselves related in some way to the
1This was very aptly pointed out by Prof. G. Vorontsova in her book (p. 196), where she criticised this conception of the English perfect found in several authors.
86The Verb: The Perfect
(3) The syntactical context in which a perfect form is used is occasionally a factor of the highest importance in determining the ultimate meaning of the sentence. To illustrate this point, let us consider a few examples: There was a half-hearted attempt at a maintenance of the properties, and then Wilbraham Hall rang with the laughter of a joke which the next day had become the common precious property of the Five Towns. (BENNETT) Overton waited quietly till he had finished. (LINDSAY) But before he had answered, she made a grimace which Mark understood. (R. WEST) The action denoted by the past perfect in these sentences is not thought of as preceding the action denoted by the past tense.
Another possibility of the context influencing the actual meaning of the sentence will be seen in the following examples. The question, How long have you been here? of course implies that the person addressed still is in the place meant by the adverb here. An answer like Ihave been here for half an hour would then practically mean, 'I have been here for half an hour and I still am here and may stay here for some time to come'. On the other hand, when, in G. B. Shaw's play, "Mrs Warren's Profession" (Act I), Vivie comes into the room and Mrs Warren asks her, "Where have you been, Vivie?" it is quite evident that Vivie no longer is in the place about
1See also below (p. 111) on the modal shades of the future.
Uses of the Perfect Forms97
Of course it cannot be said that the analysis here given exhausts all possible uses and applications of the perfect forms in Modern English. We should always bear in mind that extensions of uses are possible which may sometimes go beyond the strict limits of the system. Thus, we occasionally find the present perfect used in complex sentences both in the main and in the subordinate clause — a use which does not quite fit in with the definition of the meaning of the form. E. g. I've sometimes wondered if I haven't seemed a little too frank and free with you, if you might not have thought I had "gone gay", considering our friendship was so far from intimate. (R. WEST) We shall best understand this use if we substitute the past tense for the present perfect. The sentence then would run like this: Ihave sometimes wondered if I hadn't seemed a little too frank and free with you... An important shade of meaning of the original sentence has been lost in this variant, viz. that of an experience summed up and ready at the time of speaking. With the past tense, the sentence merely deals with events of a past time unconnected with the present, whereas with the present perfect there is the additional meaning of all those past events being alive in the speaker's mind.
4 Б. A. Ильиш
98The Verb: The Perfect
The three verbal categories considered so far — aspect, tense, and correlation — belong together in the sense that the three express facets of the action closely connected, and could therefore even occasionally be confused and mistaken for each other. There is also some connection, though of a looser kind, between these three and some other verbal categories which we will now consider, notably that of mood and that of voice. We will in each case point out the connections as we come upon them.