Chapter 9 Summary
Jack goes to visit Willie, who asks him about Judge Irwin's death. Jack tells the Boss that he will no longer have anything to do with blackmail, even on MacMurfee, and he is set to work on a tax bill. Over the next few weeks, Tom continues to shine at his football games, but the Sibyl Frey incident has left Willie irritable and dour as he tries to concoct a plan for dealing with MacMurfee. In the end, Willie is forced to give the hospital contract to Gummy Larson, who can control MacMurfee, who can call off Marvin Frey. Jack goes to the Governor's Mansion the night the deal is made, and finds Willie a drunken wreck; Willie insults and threatens Gummy Larson, and throws a drink in Tiny Dufiy's face. Tom continues to spiral out of control. He gets in a fight with some yokels at a bar, and is suspended for the game against Georgia, which the team loses. Two games later, Tom is injured in the game against Tech, and is carried off the field unconscious. Willie watches the rest of the game, which State wins easily, then goes to the hospital to check on Tom. Jack goes back to the offce, where he finds Sadie Burke sitting alone in the dark, apparently very upset. Sadie leaves when Jack tells her about Tom's injury, then calls from the hospital to tell Jack to come over right away.
Jack goes to the hospital, where the Boss sends him to pick up Lucy. Jack does so, and upon their arrival they learn that the specialist Adam Stanton called in to look at Tom has been held up by fog in Baltimore. Willie is frantic, but eventually the specialist arrives. His diagnosis matches Adam's: Tom has fractured two vertebrae, and the two doctors recommend a risky surgery to see if the damage can be repaired. They undertake the surgery, and Willie, Jack, and Lucy wait. Willie tells Lucy that he plans to name the hospital after Tom, but Lucy says that things like that don't matter. At six o'clock in the morning, Adam returns, and tells the group that Tom will live, but that his spinal cord is crushed, and he will be paralyzed for the rest of his life. Lucy takes Willie home, and Jack calls Anne with the news. The operation was accomplished just before dawn on Sunday. On Monday, Jack sees the piles of telegrams that have come into the offce from political allies and well-wishers, and talks to the obsequious Tiny. When Willie comes in, he declares to Tiny that he is canceling Gummy Larson's contract. He implies that he plans to change the way things are done at the capital. Jack is taking some tax-bill figures to the Senate when he learns that Sadie has just stormed out of the offce, and receives word that Anne has just called with an urgent message.
Jack goes to see Anne, who says that Adam has learned about her relationship with Willie, and believes the afiair to be the reason he was given the directorship of the hospital. She tells Jack that Willie has broken off the afiair because he plans to go back to his wife. She asks Jack to find Adam and tell him that that isn't the way things happened. Jack spends the day trying to track down Adam, but he fails to find him. That night, Jack is paged to go to the Capitol, where the vote on the tax bill is taking place. Here, Jack greets Sugar-Boy and watches the Boss talk to his political hangers-on. The Boss tells Jack that he wants to tell him something. As they walk across the lobby, they see a rain-and-mud-soaked Adam Stanton leaning against the pedestal of a statue. Willie reaches out his hand to shake Adam's; in a blur, Adam draws a gun and shoots Willie, then is shot himself by Sugar-Boy and a highway patrolman. Jack runs to Adam, who is already dead.
Willie survives for a few days, and at first the prognosis from the hospital is that he will recover. But then he catches an infection, and Jack realizes that he is going to die. Just before the end, he summons Jack to his hospital bed, where he says over and over again that everything could have been difierent.
After he dies, he is given a massive funeral. Jack says that the other funeral he went to that week was quite difierent: it was Adam Stanton's funeral at Burden's Landing.
Chapter 10 Summary
After Adam's funeral and Willie's funeral, Jack spends some time in Burden's Landing, spending his days quietly with Anne. They never discuss Willie's death or Adam's death; instead they sit wordlessly together, or Jack reads aloud from a book. Then one day Jack begins to wonder how Adam learned about Anne and Willie's afiair. He asks her, but she says she does not know-- a man called and told him, but she does not know who it was. Jack goes to visit Sadie Burke in the sanitarium where she has gone to recover her nerves. She tells Jack that Tiny Dufiy (now the governor of the state) was the man who called Adam; and she confesses that Tiny learned about the afiair from her. She was so angry about Willie leaving her to go back to Lucy that she told Tiny out of revenge, knowing that, by doing so, she was all but guaranteeing Willie's death. Jack blames Tiny rather than Sadie, and Sadie agrees to make a statement which Jack can use to bring about Tiny's downfall.
A week later, Dufiy summons Jack to see him. He offers Jack his job back, with a substantial raise over Jack's already substantial income. Jack refuses, and tells Tiny he knows about his role in Willie's death. Tiny is stunned, and frightened, and when Jack leaves he feels heroic. But his feeling of moral heroism quickly dissolves into an acidic bitterness, because he realizes he is trying to make Tiny the sole villain as a way of denying his own share of responsibility. Jack withdraws into numbness, not even opening a letter from Anne when he receives it. He receives a letter from Sadie with her statement, saying that she is moving away and that she hopes Jack will let matters drop--Tiny has no chance to win the next gubernatorial election anyway, and if Jack pursues the matter Anne's name will be dragged through the mud. But Jack had already decided not to pursue it.
At the library Jack sees Sugar-Boy, and asks him what he would do if he learned that there was a man besides Adam who was responsible for Willie's death. Sugar-Boy says he would kill him, and Jack nearly tells him about Tiny's role. But he decides not to at the last second, and instead tells Sugar-Boy that it was a joke. Jack also goes to see Lucy, who has adopted Sibyl Frey's child, which she believes is Tom's. She tells Jack that Tom died of pneumonia shortly after the accident, and that the baby is the only thing that enabled her to live. She also tells him that she believes--and has to believe--that Willie was a great man. Jack says that he also believes it.
Jack goes to visit his mother at Burden's Landing, where he learns that she is leaving Theodore Murrell, the Young Executive. He is surprised to learn that she is doing so because she loved Judge Irwin all along. This knowledge changes Jack's long-held impression of his mother as a woman without a heart, and helps to shatter his belief in the Great Twitch. At the train station, he lies to his mother, and tells her that Judge Irwin killed himself not because of anything that Jack did, but because of his failing health. He thinks of this lie as his last gift to her.
After his mother leaves, he goes to visit Anne, and tells her the truth about his parentage. Eventually, he and Anne are married, and in the early part of 1939, when Jack is writing his story, they are living in Judge Irwin's house in Burden's Landing. The Scholarly Attorney, now frail and dying, lives with them. Jack is working on a book about Cass Mastern, whom he believes he can finally understand. After the old man dies and the book is finished, Jack says, he and Anne will leave Burden's Landing--stepping "out of history into history and the awful responsibility of Time."
(Joseph Heller)
SOME INFO ON JOSEPH HELLER
b. May 1, 1923, Brooklyn, N.Y., U.S.
American writer whose novel Catch-22 (1961) was one of the most significant works of protest literature to appear after World War II. The satirical novel was both a critical and a popular success, and a film version appeared in 1970.Heller flew 60 combat missions as a bombardier with the U.S. Air Force in Europe. He received an M.A. at Columbia University in 1949 and was a Fulbright scholar at the University of Oxford (1949-50). He taught English at Pennsylvania State University (1950-52) and worked as an advertising copywriter for the magazines Time (1952-56) and Look (1956-58) and as promotion manager for McCall's (1958-61), meanwhile writing Catch-22 in his spare time. The plot of the novel centres on the antihero Captain John Yossarian, stationed at an airstrip on a Mediterranean island in World War II, and portrays his desperate attempts to stay alive. The "catch" in Catch-22 involves a mysterious Air Force regulation, which asserts that a man is considered insane if he willingly continues to fly dangerous combat missions; but, if he makes the necessary formal request to be relieved of such missions, the very act of making the request proves that he is sane and therefore ineligible to be relieved. The term Catch-22 thereafter entered the English language as a reference to a proviso that trips one up no matter which way one turns.His later novels including Something Happened (1974), an unrelievedly pessimistic novel, Good as Gold (1979), a satire on life in Washington, D.C., and God Knows (1984), a wry, contemporary-vernacular monologue in the voice of the biblical King David, were less successful. Closing Time, a sequel to Catch-22, appeared in 1994. Heller's dramatic work includes the play We Bombed in New Haven (1968).
CONTEXT
Joseph Heller was born in Brooklyn in 1923. He served as an Air Force bombardier in World War II, and has enjoyed a long career as a writer and a teacher. His bestselling books include Something Happened, Good as Gold, Picture This, God Knows, and Closing Time--but his first novel, Catch-22, remains his most famous and acclaimed work.
Written while Heller worked producing ad copy for a New York City marketing firm, Catch-22 draws heavily on Heller's Air Force experience, and presents a war story that is at once hilarious, grotesque, bitterly cynical, and utterly stirring. The novel generated a great deal of controversy upon its publication; critics tended either to adore it or despise it, and those who hated it did so for the same reason as the critics who loved it. Over time, Catch-22 has become one of the defining novels of the twentieth century. It presents an utterly unsentimental vision of war, stripping all romantic pretense away from combat, replacing visions of glory and honor with a kind of nightmarish comedy of violence, bureaucracy, and paradoxical madness.
Unlike other anti-romantic war novels, such as Remarque's All Quiet on the Western Front, Catch-22 relies heavily on humor to convey the insanity of war, presenting the horrible meaninglessness of armed conflict through a kind of desperate absurdity, rather than through graphic depictions of suffering and violence. Catch-22 also distinguishes itself from other anti-romantic war novels by its core values: Yossarian's story is ultimately not one of despair, but one of hope; the positive urge to live and to be free can redeem the individual from the dehumanizing machinery of war. The novel is told as a disconnected series of loosely related, tangential stories in no particular chronological order; the final narrative that emerges from this structural tangle upholds the value of the individual in the face of the impersonal, collective military mass; at every stage, it mocks insincerity and hypocrisy even when they appear to be triumphant.
SUMMARY FOR "CATCH-22"
Chapters 1-5
Yossarian is in a military hospital in Italy with a liver condition that isn't quite jaundice. He is not really even sick, but he prefers the hospital to the war outside, so he pretends to have a pain in his liver. The doctors are unable to prove him wrong, so they let him stay, perplexed at his failure to develop jaundice. Yossarian shares the hospital ward with his friend Dunbar; a bandaged, immobile man called the soldier in white; and a pair of nurses Yossarian suspect hate him. One day an affable Texan is brought into the ward, where he tries to convince the other patients that "decent folk" should get extra votes. The Texan is so nice that everyone hates him. A chaplain comes to see Yossarian, and although he confuses the chaplain badly during their conversation, Yossarian is filled with love for him. Less than ten days after the Texan is sent to the ward, everyone but the soldier in white flees the ward, recovering from their ailments and returning to active duty.
Outside the hospital there is a war going on, and millions of boys are bombing each other to death. No one seems to have a problem with this arrangement except Yossarian, who once argued with Clevinger, an officer in his group, about the war. Yossarian claimed that everyone was trying to kill him. Clevinger argued that no one was trying to kill Yossarian personally, but Yossarian has no patience for Clevinger's talk of countries and honor and insists that they are trying to kill him. After being released from the hospital, Yossarian sees his roommate Orr and notices that Clevinger is still missing. He remembers the last time he and Clevinger called each other crazy, during a night at the officers' club when Yossarian announced to everyone present that he was superhuman because no one had managed to kill him yet. Yossarian is suspicious of everyone when he gets out of the hospital; he has a meal in Milo's mess hall, then talks to Doc Daneeka, who enrages Yossarian by telling him that Colonel Cathcart has raised to fifty the number of missions required before a soldier can be discharged. The previous number was forty-five. Yossarian has flown forty missions.
Yossarian talks to Orr, who tells him an irritating story about how he liked to keep crab apples in his cheeks when he was younger. Yossarian briefly remembers the time a whore had beaten Orr over the head with her shoe in Rome outside Nately's whore's kid sister's room. Yossarian notices that Orr is even smaller than Huple, who lives near Hungry Joe's tent. Hungry Joe has nightmares whenever he isn't scheduled to fly a mission the next day; his screaming keeps the whole camp awake. Hungry Joe's tent is near a road where the men sometimes pick up girls and take them out to the the tall grass near the open-air movie theater that a U.S.O. troupe visited that same afternoon. The troupe was sent by an ambitious general named P.P. Peckem, who hopes to take over the command of Yossarian's wing from General Dreedle. General Peckem's troubleshooter Colonel Cargill, who used to be a spectacular failure as a marketing executive and who is now a spectacular failure as a colonel. Yossarian feels sick, but Doc Daneeka still refuses to ground him. Doc Daneeka advises Yossarian to be like Havermeyer and make the best of it; Havermeyer is a fearless lead bombardier. Yossarian thinks that he himself is a lead bombardier filled with a very healthy fear. Havermeyer likes to shoot mice in the middle of the night; once, he woke Hungry Joe and caused him to dive into one of the slit trenchs that have appeared nightly beside every tent since Milo Minderbinder, the mess officer, bombed the squadron.
Hungry Joe is crazy, and though Yossarian tries to help him, Hungry Joe won't listen to his advice because he thinks Yossarian is crazy. Doc Daneeka doesn't believe Hungry Joe has problems--he thinks only he has problems, because his lucrative medical practice was ended by the war. Yossarian remembers trying to disrupt the educational meeting in Captain Black's intelligence tent by asking unanswerable questions, which caused Group Headquarters to make a rule that the only people who could ask questions were the ones who never did. This rule comes from Colonel Cathcart and Lieutenant Colonel Korn, who also approved the skeet shooting range where Yossarian can never hit anything. Dunbar loves shooting skeet because he hates it and it makes the time go more slowly; his goal is to live as long as possible by slowing down time, so he loves boredom and discomfort, and he argues about this with Clevinger.
Doc Daneeka lives in a tent with an alcoholic Indian named Chief White Halfoat, where he tells Yossarian about some sexually inept newlyweds he had in his office once. Chief White Halfoat comes in and tells Yossarian that Doc Daneeka is crazy and then relates the story of his own family: everywhere they went, someone struck oil, and so oil companies sent agents and equipment to follow them wherever they went. Doc Daneeka still refuses to ground Yossarian, who asks if he would be grounded if he were crazy. Doc Daneeka says yes, and Yossarian decides to go crazy. But that solution is too easy: there is a catch. Doc Daneeka tells Yossarian about Catch-22, which holds that, to be grounded for insanity, a pilot must ask to be grounded, but that any pilot who asks to be grounded must be sane. Impressed, Yossarian takes Doc Daneeka's word for it, just as he had taken Orr's word about the flies in Appleby's eyes. Orr insists there are flies in Appleby's eyes, and though Yossarian has no idea what Orr means, he believes Orr because he has never lied to him before. They once told Appleby about the flies, so that Appleby was worried on the way to a briefing, after which they all took off in B-25s for a bombing run. Yossarian shouted directions to the pilot, McWatt, to avoid antiaircraft fire while Yossarian dropped the bombs. Another time while they were taking evasive action Dobbs went crazy and started screaming "Help him," while the plane spun out of control and Yossarian believed he was going to die. In the back of the plane, Snowden was dying.